西廚區(qū)借助開放吧的形態(tài)，由門廳延伸至室內，水平橫向的結構除了有著引導性之外，也展示了一種當下的生活方式。展廳設計餐桌與吧臺相互咬合，高低有錯，木的溫潤質感和石材的硬朗線條彼此交織、反襯、碰撞。于方正的平面布局里，曲面立面的出現(xiàn)，有效地激活了空間的流動，也界定了視覺的起點，并以此蜿蜒而出，流向內部的空間。The western kitchen area extends from the foyer to the interior with the help of the form of open bar. The horizontal and horizontal structure not only has guidance, but also shows a current lifestyle. Table and the stage bite each other, high and low is wrong, the warm and smooth sense of wood and the tough line of stone material interweave with each other, contrast, collision. In the square layout, the appearance of curved facades effectively activates the flow of space and defines the starting point of vision, which meanders out and flows to the interior space.

有著結構支撐的柱體一旦被釋放出來，獨立的形體便有機會展示更真實的自我，展廳設計顯露于客餐廳中間的碩大立柱由方形包裹成圓形，頂部輕微向外傾斜，不規(guī)則的樣式形成一定的方向性，同時具備了內在的力量?？蛷d是家中重要的待客之所，無形的軸線約束了客廳和方盒子的選材區(qū)的關系，使其成為空間的主角，二者之間憑借回游的動線串聯(lián)。

Once the column with structural support is released, the independent shape will have the opportunity to show more real self. The huge column in the middle of the restaurant is wrapped by a square into a circle, and the top is slightly tilted outward. The irregular style forms a certain directionality and has internal power. The sitting room is an important place to entertain guests in the home, the invisible axis constrained the relationship between the material selection area of the sitting room and the square box, making it the leading role of the space, and the moving line connected by the travel between the two.

“粹”的構造Construction of“Essence”━關于“粹”，并非單純的“純粹”之意，而是有著豐富色彩的意識現(xiàn)象，通過理想性和非現(xiàn)實性實現(xiàn)自我存在的一種吸引、品質追求和達觀的狀態(tài)。展廳設計因而，真實的功能確定空間的形式。原始空闊的結構中嵌入一個木盒子，有封閉的立面、也有敞開的立面，位于視覺中心點的選材中心，借由虛實的建構，產(chǎn)生互動，也可以兼顧不同方向過來的訪客。

The meaning of "essence" is not simply "pure", but a phenomenon of consciousness with rich colors, a state of attraction, quality pursuit and attainment of self-existence through idealism and non-reality. Thus, the real function determines the form of space. A wooden box is embedded in the original empty structure, with a closed facade and an open facade, located in the center of the visual center point of the selected materials, and through the construction of reality and fiction, interaction is created, and visitors coming from different directions can be accommodated.